Meetings with psychiatrists and their patients, a painting course, catamaran and even boxing lessons… French actor Damien Bonnard spared no effort in preparing for the role of bipolar painter that he defends in Les Intranquilles, a new film by filmmaker Joachim Lafosse, expected on our screens next Friday.
By his own admission, this is the first time he has invested so much in a character on screen. We guess that it was not necessarily always a cakewalk.
“But it was fascinating, and, above all, necessary”, hastens to specify Damien Bonnard (Les Miserables, Stay Vertical) in an interview with Diary last November, when he was in Montreal for the Cinemania Festival.
Inspired by the experience of Belgian director Joachim Lafosse (À perd la raison ), whose father is manic-depressive, Les Intranquilles brings us into the daily life of Leila (Leïla Bekhti) and Damien (Bonnard), a very loving couple who live in symbiosis with their little boy, Amine (Gabriel Merz Chammah).
The balance of this seemingly perfect little family turns out to be fragile, however, since Damien, a painter, suffers from a bipolar disorder that sometimes makes him unpredictable, fragile and unmanageable. His condition is usually under control when he takes his medication. But during a family vacation, he will suddenly decide to stop taking them, in order to give free rein to his creative impulse of the moment.
“Finding the < em>switch»
In the first versions of the scenario, the character of Damien was not a painter, but rather an artists' photographer, like Joachim Lafosse's father was. But since Damien Bonnard studied at the fine arts of Nîmes before becoming an actor, Lafosse suggested that he transform the character into a painter.
“I told him: OK, let's try this,” says the 43-year-old actor. But even though I have already studied fine arts, there was still work to be done to become credible as a painter. So I spent a lot of time with Piet Raemdonck, a famous painter in Belgium who welcomed me into his studio in Belgium. He showed me his work. I already had some basics with what I had learned at the fine arts, but I also had to understand his own painting and learn to paint like him. I watched him a lot and stole everything from him. The way I paint in the film is the way he paints.”
To this painting course were added in particular catamaran and boxing lessons (a discipline that enabled him to “finding the switch to go from one state to another”), meetings with psychiatrists and doctors treating manic-depressive people and a lot of reading on the subject.
< p>“I also have a friend who suffers from bipolar disorder who I have talked to a lot,” he adds. I knew from the start that the trap in playing this kind of role was to fall into caricature. But I just wanted it to be fair, and above all not cliché. I also wanted the character to be connected to others, and not freewheeling alone. It was important to get the balance right.”
Teilor Stone has been a reporter on the news desk since 2013. Before that she wrote about young adolescence and family dynamics for Styles and was the legal affairs correspondent for the Metro desk. Before joining The Bobr Times, Teilor Stone worked as a staff writer at the Village Voice and a freelancer for Newsday, The Wall Street Journal, GQ and Mirabella. To get in touch, contact me through my firstname.lastname@example.org 1-800-268-7116