“Music brings so much joy!” : jazz legend Rhoda Scott, featured at the Jazzoparc festival in Anduze in Gard
|Rhoda Scott (au centre) et les Lady All Stars ouvriront la première soirée du festival. Alexandre Lacombe
Organiste et chanteuse mondialement reconnue, ancienne comparse de Ray Charles ou d’Ella Fitzgerald, Rhoda Scott donne, vendredi 21 juin, un concert à Anduze avec sa formation 100 % féminine, Lady All Stars.
You have lived in France for over 50 years, and this is the first time you have played at the Jazzoparc festival. A still young festival, born in 2021. What made you want to accept its invitation?
I wanted to because for me it’s a wonderful invitation. And I don’t know Anduze, I barely know where it is (laughs)! I wanted to discover this city. I know quite a few towns in France, and I had never heard of them. I always want to discover towns in France that I don’t know yet!
You come with the Lady All Stars group. A team made up of eight musicians, including you. It’s a continuation of your previous group, also female, the Lady Quartet. And you have said before that this is one of the most beautiful musical adventures of your life. Why ?
For me, it’s a revelation! I had never played with women before this adventure. You have to see the camaraderie, the respect, the interest we have in each other. This is fantastic.
Playing between women changes something in the pleasure of playing ?
Not in the pleasure of playing. As we are usually in the minority, solidarity works a lot between us.
The other members of the Lady All Stars represent, in their own way, a new generation in the world of jazz. As if you wanted to pass on your experience to them ?
It’s like I was their grandmother (laughs)! It’s good to pass on, but that’s not my claim. Although they say they learn a lot from the experience when we play together. But above all, it is still solidarity that matters to me. I can be an example for them, from a career perspective. But I learn a lot from them too!
What did you learn from them?
We play our own songs, our own compositions. And when we play their songs, I always say that they kick my ass! Because they will do things that are outside of my experience. Thanks to them, I’m moving forward!
This solidarity that you cite several times is what you want to convey in your music?
If I wanted to convey something with the music I play, it would be the joy of music. Music brings so much joy! Not only to us, who play it, but also to the people who listen to it. I think that’s the crux of the matter!
You are one of the world references in jazz. And coming to play in festivals like Anduze also shows that, for you, this type of music is accessible to everyone? Everyone can find something there?
I couldn't imagine being away from the public, it's not possible. I train every day at home. But that’s nothing at all. I want to live, play, communicate with the public.
On Friday, for your concert, you still have a male guest: the British crooner Hugh Coltman !
This is the other side of the coin! Often, we see musicians, all men, who invite a woman in a dress to come and sing. It happened to us, in the group, to arrive for a concert, and to have to answer the technicians who asked us if we were the singers! We take pleasure in telling them: "No ! I am a saxophonist, organist…" But we invite a man who will come and sing. And he’s great! In fact, we invited three men, including Hugh Coltman, for our next upcoming musical project. But on stage, we only stay on one at a time!
The Hammond organ remains your instrument of choice, including in this group. Can you tell us about this encounter with this instrument, this encounter which changed your life ?
When my father was a pastor, he was sent to a church that had just purchased a Hammond organ. The churches really liked this organ. It replaced the pipe organ, which was far too expensive. When this instrument arrived, I was already strumming a little by ear. And I wanted to explore this instrument. It was the encounter of my life. I started playing in church when I was 10 years old. And then it continued like that.
World reference and “girl power”
Daughter of an itinerant pastor from New Jersey, Rhoda Scott, known as "the Barefoot lady", for her appetite for food. playing barefoot, discovered the Hammond organ when she was not yet ten years old. Now 86 years old, she has given his life in jazz and &agrav; music, with more than fifty albums ’ his assets and numerous prestigious collaborations, Ray Charles, Ella Fitzgerald, George Benson. In 1968, she crossed paths with Eddy Barclay and the singer and producer Raoul Saint-Yves, whom she later married, who suggested that she come and play in France. She will become a star in the world of Jazz. In 2004, she founded a first female quartet, which will expand in 2021 to become the current Lady All Star, with Sophie Alour (tenor saxophone) , Airelle Besson (flugelhorn, trumpet), Céline Bonacina (baritone saxophone), Lisa Cat-Berro (alto saxophone), Géraldine Laurent (alto saxophone), Anne Paceo (drums) and Julie Saury (drums).
Friday July 26, 8:45 p.m., at Parc des Cordeliers in Anduze. Prices: 17 euros/13 euros; reduced. Info and tickets: jazzoparc.com.
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