< /p> UPDATE DAY
Signing her tenth novel in ten years this year, the talented Agnès Martin-Lugand let herself be carried away by the great emotions that accompany the strong moments of life – love, death, the great passions, the losses from which it is difficult to recover – to write La Déraison. This powerful novel, which does not leave anyone indifferent, imposed itself on her, as if the time had come to tell the story of Madeleine and Joshua.
A woman who is at the gates of death. A man who no longer wants to live. The story begins steeply. However, they are there, both, to confide their history, their evils, their sorrows, their demons and especially the mad love. A love that reunites, that inspires, that saves as much as it was able to demolish and separate.
Agnès Martin-Lugand, in an interview, speaks with emotion of this novel which went to seek her, deeply.  ;
“When I started thinking about the novel, death immediately lurked. There was a form of evidence. For my tenth novel, I talk about death, about a character who was going to die. I talked about death in all my novels, but I had never found myself in this situation, to die with my character. When I found out that Madeleine was condemned to die, it was as if we were both going to die. I lived it like that. But at the same time, with this quest for peace and truth, when she closes her eyes.”
Agnès Martin-Lugand believes that we should not be afraid to talk about dead. “Death is part of life. Don't be afraid to talk about it. You have to be able to face your anxieties. Try, in any case.”
And then, very quickly, she said to herself that death had to be beautiful.
“I wanted to put some beauty in Madeleine and Joshua's life, even then. There are no details about her illness: it was necessary to show the beautiful moments that she saw, during the last moments of her life, with her daughter and with her lifelong lover.”
< strong>A serenity
The intensity of the end-of-life emotions she describes is strong.
“Amazingly, I was very calm during the whole writing. We always suffer when we write, but I was completely carried away by Madeleine and by Joshua. I was serene, at peace. I didn't have any panic attacks while writing, because I had to write this novel. It allowed me to put down on paper my own anxieties and my own obsessions in relation to death.”
She says that La Déraison is her most personal novel and the one who looks the most like him.
“Thanks to Madeleine, I was able to write about my anxieties about what happens when you die, how you experience things, how you say goodbye to loved ones. Death, I think about it a lot, and I think it worries me a lot less since I wrote this novel.”
“To have been able, it is the culmination of the work that I have been putting into my writing over the past few years. I always try to set myself new challenges, to always go further into the psychology of my characters and focus on that.”
She continues. “I think it is also a form of maturity and that all my previous novels have allowed me to open up in this way in this novel. To let my unconscious speak. To never censor myself in my writing and to approach, on the one hand, death, and on the other hand, the madness of love.”
- Agnès Martin-Lugand lives in Saint-Malo.
- She has published several best-sellers which have sold more than four million copies.
- We owe him Happy people read and drink coffee, Happiness slips through my hands >, Life is easy, don't worry, I still have that music in my head, etc.
- She won the Les petits mots des libraires prize in 2021 for La Datcha.
“Despite the tears, the cries, the dramas that ended up separating us, these were the best years of my life , devoted passionately to love and music. Joshua, thanks to his name, was already in the harem, he made sure that I was heard playing, without revealing our connection, before I obtained recognition. He knew that I would refuse the privileges that his parentage could give me. He respected me for this choice. Thanks to him, I had become proud, and I had finally granted a place to my ego. I passed the test of fire. I was quickly recognized for my talent, and not for the couple I formed with him. I existed on my own.”